Who am I now that I’m not who I thought I was? This is the question Cindy asks herself.
Cindy’s life was a fairy tale.
A beautiful home, three amazing daughters and married to the man of her dreams.
When Cindy’s very own Prince Charming decides he’s had enough of the fairy tale, and takes off with her friend. Where does that leave her?
Now Cindy has to figure out who she is now that she is no longer who she thought she was.
Note to self… Double, triple and quadruple check book length BEFORE getting a book. The title of this is almost longer than the book itself. This doesn’t even qualify for novella status. It is a short story at best, but more a long essay.
Because of how ridiculously short this is there is no story or character development. The story comes across as simplistic, choppy, and unfinished with major gaps in events along the way and is presented almost entirely within the main character’s head and thoughts.
Seriously. The story covers about a 6 month period of time in 41 pages. How much actual story can you get in that space? There is 6 months worth of time to work with an you only have 41 pages?! There is truly no point to reading anything this short because you do not have enough room to go anywhere unless you are writing about a single, very brief moment in time. It is kind of like reading the diary of a bitter woman’s emotional dumping ground during a divorce, but that woman only writes in said dairy sporadically and only writes about her feelings and very little about actual events.
I won’t go into the problematic formatting or editing mistakes or the extremely unrealistic time frame, which is normally a whole lot longer than that 6 months. The pretty cover art is completely wasted on this.
And yes, I probably spent more time writing this review than I did reading the damn thing in the first place.
On the same night that Alex finds himself disowned and sleeping on his best friend’s couch, he meets Liam, who saves him from being mugged. It’s a strange time for him to be starting a relationship, but everything about being with Liam feels right. When it becomes apparent that Liam isn’t exactly the prince charming he seems to be, Alex has to deal with some hard truths about not just his new boyfriend, but his own history as well.
Liam is just trying to do his job, but everything keeps getting in the way. First he gets assigned to watch some stranger, then somehow, he finds himself dating the guy. Even if it doesn’t offend the boss, Liam knows the wrong thing to do when he does it. He finds himself wondering, though: is his job really the most important thing in his life, or can he walk away from it all for a brand new relationship?
I hesitated on reading this at first because the blurb made me think this was going to be a pretty heavy, darker read. I was pleasantly surprised that it really wasn’t. It was sweet and funny, but still balanced with enough of the deeper stuff to make it pretty well rounded.
Though Alex can come across as a little simple and naive, I still really liked his character. I especially liked Liam, though I can’t quite put my finger on why. He just came across as this genuine, yet conflicted guy. I think I liked the sense of humor the two shared together.
Some of my favorite books are those that can portray their characters with that kind of lighthearted banter that actually works without coming across and cheesy or trying too hard. This one really made it work.
Author: Kimberly Conn Book Name: Buying the Farm Series: * Order: * Genre: Literature/Family Drama Rating: Really Good
Blurb: Missi Jennings has no family, with the exception of her cold, critical mother, who makes her feel like a perpetual disappointment. She muddles through life in Washington, D.C. despondent, yet unmotivated to do anything about it. When a horrific accident on a Downtown street leaves Missi shaken, numb, and wealthy beyond her wildest imagination, it also becomes a catalyst for unthinkable change, launching her on a journey to a place completely foreign to her—rural Mississippi. The cynical, solitary city girl must confront a lifetime of lies created by the woman she always knew to be her mother and contend with a large, loud, extended family she had no idea existed. Missi’s fortitude is tested by strange new surroundings and a cantankerous grandfather, but it is a child-like woman with Down syndrome, with whom Missi shares an unbreakable bond, who changes her the most. Buying the Farm is a poignant story about loss, gain, and both the joy and pain that come from being a part of a family.
This was a truly heartwarming kind of book that had a wonderful balance of emotional responses, which is one of my favorite kinds. If you can evoke laughter and tears, both happy and sad, all rolled into a single story then you have done an awesome job as an author.
The one thing that kept me from rating this higher was how nearly every single character in this book fawned over Missi as though she was some sort of perfect paragon deserving adoration just because she exists, even those she just met 2 seconds ago. There are a few exceptions. Her boss, but he is such a tiny, minor character as to not make a difference. Nina, one of the few people that SHOULD have treated her that way, but again, still kind of at a periphery level. And her grandfather who is the only major character to kind of go the opposite direction. The near hero worship from so many characters nearly became too much and lessened some of her realism for me.
I did love the family story here and the various turns this took. It made the story feel very unique and atypical, which I loved. And the emotional touches were incredibly well done.
Blurb: Kate Everett is about to begin her “second act.” She’s been a widow for eight years and thinks it might be time to start looking for someone to share her life with again. She quits her high-pressure job for something that will allow her more leisure time. She gets rid of the huge family home and moves into a fabulous condo that’s smaller and easier to manage. She’s pretty much got the rest of her life figured out. All she has to do is sit back, relax, and let the pieces fall into place.
But her real life never gets the memo. First, her son moves back in with her—along with his girlfriend. Her dream job falls through, leaving her unemployed. Her mother, whom she hadn’t spoken to in years, can no longer live alone and has to move into her basement. And her only daughter is planning the smallest and simplest wedding in the history of all weddings, much to Kate’s dismay.
Kate thinks that she and Jake, her former college love who has reemerged on an online dating site, of all places, can build something real, and that maybe her happy ending is in front of her at last. But the arrival of Edward, her daughter’s future father-in-law, presents Kate with an unexpected choice.
It looks like real happiness may require a slight change of plan.
I liked the idea of a book centered around adults in this age range, so was excited when I picked this up. Sadly, the attitude and actions of most of the characters put their maturity level back in their late teens to early twenties rather than in their 50’s so I might as well have been reading a new adult book, except the characters all have older/adult children.
I could have gotten past that and enjoyed the story if this book had been able to evoke even a lick of emotional response from me, but… nada. I felt nothing other than irritated with the relationship between Kate and Jake and there was absolutely nothing to suggest that Kate and Edward had anything stronger than a friendship. Everyone, including Kate, Edward and Jake just left me feeling rather meh. It was just incredibly bland.
When I finally got to the ending, I was kind of “Wait. That was it? Um… why did I read this?”
So this was one of those I didn’t hate it but didn’t particularly like it either books.
Blurb: When Sarah meets Eddie, they connect instantly and fall in love. To Sarah, it seems as though her life has finally begun. And it’s mutual: It’s as though Eddie has been waiting for her, too. Sarah has never been so certain of anything. So when Eddie leaves for a long-booked vacation and promises to call from the airport, she has no cause to doubt him. But he doesn’t call.
Sarah’s friends tell her to forget about him, but she can’t. She knows something’s happened—there must be an explanation.
Minutes, days, weeks go by as Sarah becomes increasingly worried. But then she discovers she’s right. There is a reason for Eddie’s disappearance, and it’s the one thing they didn’t share with each other: the truth.
It is kind of impossible to review this without giving spoilers because those very spoilers are what dropped this from a good book to only okay for me.
I honestly cannot imagine a scenario in reality where ANYONE would legitimately blame Sarah for the accident that happened. Maybe Alex’s mom, in her grief, and Sarah feeling guilty (a typical survivor’s guilt) and blaming herself, but that is about it. The blame getting laid on her by pretty much everyone around her, including her apparently very close sister is completely unbelievable. If there is any blame to be laid on anyone other than the idiotic driver, it would have been Hannah, not Sarah. Because of that, the entirety of what this story is based on kind of falls flat and Eddie’s reaction becomes unreasonable.
While I liked the fact that the reader’s perspectives and assumptions got turned around, that turn around worked against the grain, again, because of the attitudes toward Sarah. Going from feeling sympathetic towards her to having the author try and make her out to be the bad guy, when she REALLY isn’t left a bad taste in my mouth over a story that I had been liking up to that point.
I don’t think the story was awful, but it fell apart and didn’t work for me by the time it was over. Especially when everything gets tied up so cleanly and neatly without any actual work through that the reader gets to experience first hand. They just get told it worked out and are expected to accept it without details. So, I didn’t dislike this, but I didn’t particularly like it either.
Author: J.P. Oliver Book Name: Fighting For You Series: Fighting For Love Order: 1 Genre: Romance/LGBT Rating: Okay
Blurb: Luke’s life couldn’t really get any worse. His parents have died, his family bar is failing, he’s had to drop out of college, and he’s now engaged in a custody battle with his grandparents over his younger brother.
Adam is a drop-dead gorgeous lawyer, representing the grandparents in the custody battle. He isn’t pleased to be representing such snobby clients, and he’s definitely miffed to be shipped out to the Midwest for this case. But all that changes when he meets Luke. He’s handsome, charming… he gets Adam’s sense of humor, and definitely deserves to win the case.
They’re not supposed to even be talking to one another, much less dating, but both Adam and Luke feel a connection they can’t ignore. Can they figure out a way to make it work? Or will the case – and the things they have to do to win it – tear them apart?
This just barely hit the okay mark for me. Honestly? I was bored and ended up skimming through a lot of this book because there just wasn’t anything overly believable or emotionally stimulating here.
I love books about kids and families, yet this book uses the kid, Seth, as a prop and an afterthought when he should be the underlying focus of the story since that is the whole premise. Luke behaves and makes decisions like there isn’t even a kid in the picture at all, let alone one that he is willing to fight for. For someone who is apparently desperate to keep his brother with him, he sure as hell doesn’t act like it outside of a few pat sentences provided as a way of saying “See, this IS a book about battling for custody.” The kid is 12 and yet Luke apparently leaves him alone pretty much 100% of the time, treating him like he is much older and nearly ready to be living on his own instead of like a young kid that just lost both of his parents. There isn’t even any kind of cover like calling to ensure Seth knows where Luke is or checking in to make sure Seth is okay. That aspect of the story just flat out fails on all fronts.
The whole legal issue and sabotaging the case thing is so outside of the realm of believability as to be laughable. The fact that there were zero consequences for that ridiculous mess makes it all even more unbelievable.
Throw in some really meh or unlikable characters, even some of the peripheral ones (are they ALL fallen down drunks? Really?), and you aren’t left with much that is worth the time unless you just enjoy fluff stories with little to no substance.
Author: Rheland Richmond Book Name: A Family For Keeps Series: * Order: * Genre: Romance/LGBT Rating: Okay
Tristan was devastated when his sister died. His only consolation was her newborn daughter. He promised to take care of her like she was his own, but he’s broken that promise.
After growing up in foster care, Nathaniel’s finally built the life he’s always wanted. Now one case of human error could tear it all apart.
An unthinkable mistake that could never be rectified. Two men. Absolute strangers until tragedy and unforeseen circumstances bind them together. They must now find a way to co-parent and make the best of a bad situation. With no shared history to help them and two little girls caught in the middle, they now have no choice but to make it work. What could possibly go wrong?
Can two men put their differences aside for the sake of their children? They both have difficult choices to make, or what they love most will be taken away.
When I first read the blurb for this, I was pretty excited because it checked a lot of boxes for me on things I love in a good story. The premise and idea behind the story is really good, if maybe a little bit over the top. Sadly, the execution of that idea kind of flopped. There were just too many things that kept yanking me out of this story for me to ever really sink into it emotionally and I hated that.
The majority of this book is contained inside the characters heads, giving the reader very little dialog. Even a lot of character interaction is handled this way, even several situations being a character’s remembrance of scenarios instead of allowing the characters to experience them as a natural flow of events. That hampered my ability to connect with the characters and feel their connection with each other. This is a classic example of needing to show, not tell.
What little dialog you get was painfully one sided. There was almost no actual back and forth conversation, only one character speaking without getting any feedback, either in words or actions, from the other character(s) in the scene, leaving you with this bizarre kind of monologue. The few times you do get a little back and forth between characters, it is nearly impossible to tell who is speaking, which made all the dialog scenes even more convoluted because you couldn’t always tell if it was a monologue or back and forth. I honestly got lost several times in the dialog parts.
This is written in a dual POV between the two main characters. Sections were made clear as to who’s POV the reader was getting, yet there were still these random jumps where we get a tiny bit of perspective that came out as the other character, lasted maybe a sentence or two or even a paragraph before shifting back to the designated character’s POV. These always tripped me up and I had to go back and reread to try and figure out if I misread something or had missed a noted POV switch.
While I do really like the concept idea of this story, the details to make it happen are just too pat. Both main characters are stupidly good looking and stupidly wealthy. Tristian has the added benefit of being surrounded by stupidly good looking, talented, equally stupidly wealthy friends and adopted family. The kids are all insanely perfect, docile little dolls that roll with every single change like it is nothing. Anyone that has kids or even knows a kid will tell you this is straight up fantasy, because that would NEVER happen no matter how you work to justify it. Yes, there are a few historical challenges and difficulties as well as the issue of the medical thing (which also turns out perfectly), but… there just are no character imperfections to make them feel realistic, believable or relatable. Even the one real struggle towards the end seems overly simplistic.
And as much as I hate harping on editing mistakes… this just had too many obvious and annoying ones that just made all the other annoying issues combine to make me just not enjoy the story. I’m pretty sure I even ran into a few character history/background contradictions (massive peeve of mine). This story is okay, but this is one of those books that could have been really good if some of those issues had been noted and fixed before someone hit publish.
Michael Turcotte wants nothing to do with his so-called gift—the ability to see other people’s fates simply by touching them. Michael decides to spend his summer searching for answers about his past. He can’t rest without the sounds of forgotten tragedy echoing through his dreams, but reconstructing his memories will come with a whole new set of problems even he can’t foresee.
Detective Samantha Reilly has always looked out for Michael, but now that she’s taken him into her home, she fears her maternal instincts are lacking. When a brutal gang sets off a chain reaction of crimes, Sam struggles to choose between the two most important things in her life: her job and her new foster son. Fate intervenes when Michael is kidnapped, forcing her two roles to collide.
As Michael’s past meets Sam’s present, their bond will be tested while a city crumbles around them. They’ll need all their skills and a lot of luck in order to survive.
While the first book in this series deals with the concept of the paranormal, its focus leaned more heavily towards the crime aspects and the gruesomeness of those crimes. This book heads deeper into the paranormal and steps away from the gruesome and the crime. Personally, I was a bit relieved by that.
At the same time, I didn’t like this one as much as the first because that shift more towards the paranormal brings with it an even bigger leap into over the top situations and scenarios, losing some of its grip on reality and believability. It is incredibly difficult to marry paranormal with realism, especially if you are going to focus on things like crimes and police work. There has to be a solid foundation in reality to be able to pull that off in a believable way for a reader. I think this one took several of the scenarios too far out of the bounds of being able to suspend disbelief.
Top that off with a story line that seems overly complicated and disparate at times, I struggled to really get to the point behind a lot of what was going on. I understand that this book is built in such a way to create a foundation (and what seems to be a very elaborate one at that) for future books, but it all just got to be a bit too much for me as I’m just not a huge fan of those types of stories.
**This book was provided to me in exchange for a review.**
Author:Jason Parent Book Name: Seeing Evil Series: Cycle of Evil Order: 1 Genre: Thriller/Suspense/Crime Rating: Really Good
Blurb: Fate in plain sight.
Major Crimes Detective Samantha Reilly prefers to work alone—she’s seen as a maverick, and she still struggles privately with the death of her partner. The only person who ever sees her softer side is Michael Turcotte, a teenager she’s known since she rescued him eleven years ago from the aftermath of his parents’ murder-suicide.
In foster care since his parents’ death, Michael is a loner who tries to fly under the bullies’ radar, but a violent assault triggers a disturbing ability to view people’s dark futures. No one believes his first vision means anything, though—not even Sam Reilly. When reality mimics his prediction, however, Sam isn’t the only one to take notice. A strange girl named Tessa Masterson asks Michael about her future, and what he sees sends him back to Sam—is Tessa victim or perpetrator?
Tessa’s tangled secrets draw Michael and Sam inexorably into a deadly conflict. Sam relies on Michael, but his only advantage is the visions he never asked for. As they track a cold and calculating killer, one misstep could turn the hunters into prey.
One of the first things that stood out to me in this book was the author’s ability to write in such a way to make it incredibly easy to visualize a scene. For me, that maybe wasn’t such a good thing because there are some seriously gruesome scenes in this book that are told in minute detail. For lovers of true thriller type novels where the more gruesome the better, that is probably a great thing.
As someone who enjoys crime dramas, I also have a few peeves about them. Mainly that they fall into a believable range with regards to following actual police procedure (or at least a semblance of it). This kind of pushed those boundaries for me just enough to make parts of this feel a bit too much. Yes, you have a paranormal aspect to the novel, but that doesn’t mean everything else can be fantasy and unreal. That said, though, I think for me it was probably a good thing that parts of this were unbelievable, otherwise this would have given me nightmares.
I liked Michael as a character and how he was presented with his ability worked for me, but I struggled to really get a good feel for who Sam is which made it harder to connect with her. I can’t say that I disliked her, but I don’t feel like there was enough of her in the story to find something to like about her either. Part of that for me was that her lack of procedure following made it difficult to understand her as a police officer or what drives her and motivates her decisions.
I don’t typically like straight up thriller/horror. There is a reason I don’t watch scary movies (nightmares are NOT something I enjoy). I love a good crime novel, suspense, mystery and even thrillers that run more towards the psychological rather than the straight up gore and terror, which made this one a little harder to review because, on a personal taste level, I didn’t enjoy those parts of the book. I even stopped a couple of times to mention to Hubby how sick something was. I do know that much of what I wasn’t a fan of would be pure gold to someone that loves that kind of thing.
**This book was provided to me in exchange for a review.**
Blurb: I wrapped up my grandmother’s tea cup collection and my mother’s china, then grabbed a violin I’d hidden way back in my closet that made me cry, a gold necklace with a dolphin that my father gave me two weeks before he died of a heart attack when I was twelve and, at midnight, with that moon as bright as the blazes, I left Chicago.
When Jeanne Stewart stops at The Opera Man’s Cafe in Weltana, Oregon, to eat pancakes for the first time in twelve years, she has no idea she’s also about to order up a whole new future. It’s been barely a week since she succumbed to a spectacularly public nervous breakdown in front of hundreds of the nation’s most important advertising and PR people. Jeanne certainly had her reasons–her mother’s recent death, the discovery that her boyfriend had been sleeping with a dozen other women, and the assault charges that resulted when Jeanne retaliated in a creative way against him, involving condoms and peanut oil.
Now, en route to her brother’s house in Portland, Jeanne impulsively decides to spend some time in picturesque Weltana. Staying at a B&B run by the eccentric, endearing Rosvita, she meets a circle of quirky new friends at her court-ordered Anger Management classes. Like Jeanne, all of them are trying to become better, braver versions of themselves. Yet the most surprising discoveries are still to come–a good man who steadily makes his way into her heart and a dilapidated house that with love and care might be transformed into something wholly her own, just like the new life she is slowly building, piece by piece.
The good: I liked most of this author’s style. The books was funny in a lot of spots, which I often find hard to pull off. The humor being snarky and so “wish I could come up with those lines on the spot when I really need them” kind of things. Jeanne was a character that you could easily empathize with on most levels.
The not so good: I just could not get past how over the top crazy Jeanne got at times and got away with it. Yes, you can totally empathize with her. You can even understand her and why she does the things she does. It was the absolutely unbelievable level of “she is so cute and adorable in her snarkiness and everyone loves her so everyone just lets her do whatever she wants” kind of thing that forced me to drop my rating on this. Sure, this is fiction. It is not real life. But… I have to believe in the situations and the characters. There is absolutely zero real consequence for her actions going on here and it just made it all too much and negated all the things that made her feel human and relatable.
I also got sick of the regular future sneak peaks the reader was given as to what was going to happen later in the book. One or two of those might have been okay, but they happened a few too many times and made the story feel a bit jumpy because of it.
I’m really torn about those “not so good” parts because I really did enjoy this book otherwise.
Blurb: When an impoverished school district loses its accreditation and the affluent community of Crystal Ridge has no choice but to open their school doors, the lives of three very different women converge: Camille Gray–the wife of an executive, mother of three, long-standing PTA chairwoman and champion fundraiser–faced with a shocking discovery that threatens to tear her picture-perfect world apart at the seams. Jen Covington, the career nurse whose long, painful journey to motherhood finally resulted in adoption but she is struggling with a happily-ever-after so much harder than she anticipated. Twenty-two-year-old Anaya Jones–the first woman in her family to graduate college and a brand new teacher at Crystal Ridge’s top elementary school, unprepared for the powder-keg situation she’s stepped into. Tensions rise within and without, culminating in an unforeseen event that impacts them all. This story explores the implicit biases impacting American society, and asks the ultimate question: What does it mean to be human? Why are we so quick to put labels on each other and categorize people as “this” or “that”, when such complexity exists in each person?
This is one of those books that leaves me torn on how to rate it. On a general, quality level, I think that this was a well written book with a lot of great insight into racial issues. That aspect wants me to rate this higher.
Sadly, there were a few other issues that I just wasn’t much of a fan of. Since this is told from the perspective of 3 different characters, the reader’s attention is split pretty hard and that made it difficult to connect with any of them enough for me to like them. What I did get from all three wasn’t all that appealing as individuals, making them fall into the dislike side of things for me.
One of my other issues, and I realize this is on me more and my personal tastes than anything, is that this book gets a bit religiously preachy in places. Since this is one I checked out of the library, I didn’t think to look at the sub-genres it was classified under on Amazon. It wasn’t noted as Christian fiction through my library, but did have that tag in Amazon. If I’d seen that up front, I probably wouldn’t have read it because I do not enjoy being preached to.
The last issue I had was how the story gets wrapped up in the end. You have all this pretty great stuff going on with regards to race and segregation in schools and then you have this kind of crazy, over dramatic and not really connected ending that just doesn’t seem to fit the rest of the story at all. No, it wasn’t really predictable, which could be viewed as good, but it also just didn’t seem to work for me because it didn’t feel like it meshed with everything that happened up to that point.
I think the things I wasn’t much of a fan of overpowered the parts I liked so this ends up being only an okay read for me.
Years ago, in the town of Saxon Falls, young Kelsey Willard disappeared and was presumed dead. The tragedy left her family with a fractured life—a mother out to numb the pain, a father losing a battle with his own private demons, and a sister desperate for closure. But now another teenage girl has gone missing. It’s ripping open old wounds for the Willards, dragging them back into a painful past, and leaving them unprepared for where it will take them next.
Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer’s identity. That means breaking down the walls of the Willards’ long-guarded secrets and getting to a truth that is darker than he bargained for. Now, to rescue one missing girl, he must first solve the riddles that disappeared with another: Kelsey Willard herself. Dead or alive, she is his last hope.
For probably the first half of this book, I was pretty interested and enjoying the story, but it kind of started falling apart for me after that.
There is a lot of jumping between character POVs throughout the whole book. That didn’t bother me so much, but there were a couple of times that I was wondering why we were even getting that POV as it didn’t really seem to add much to the story.
I have two bigger issues with this though. One is the fact every single male character in this book was portrayed in a less than stellar light. All had aspects of sliminess to them that made them not very likable. All the women came across as extremely emotionally fragile and weak. When you pair those two together in ALL characters, it didn’t leave much to like other than the actual events of the story and figuring out the “who dunnit?” part.
That leads to my biggest problem with this story and the potential spoilers. Yes, I was a bit surprised by the end. No, I seriously didn’t like it, nor did I believe it. There was such a heavy emphasis throughout the whole story on making connections between the victims, trying to find the common ground in an effort to figure out why they were the ones taken. After all those threads get pulled, making some solid links and pointing in some real directions, you are suddenly tossed in a completely unrelated direction for the killer, leaving all those threads dangling and unresolved. When you finally get the bad guy reveal, you are never actually given that why or shown those links as to why those victims. All that had been brought up before? Apparently a bunch of nothing burgers dangled in front of the reader’s nose, not even important enough to close up to round out the story. The bad guy? Made no sense.
There were so many dangling threads that never got explained or resolved and the lack of tie in between the victims and the bad guy made the ending feel as though the reader had been cheated. It felt like the bait and switch of expecting a luxury sedan and you got a flashy, but cheap economy car instead.
The story concept was actually really good, but I didn’t like the character portrayal and I really didn’t like the ending, so… just okay on this one.
Blurb: How far would you go to protect your darkest secrets?
When teenager Sadie Winter jumps from the roof of her school, her death is ruled as suicide – a final devastating act from a troubled girl. But then the broken body of a young boy is discovered at the same school and it’s clear to Detective Kim Stone that these deaths are not tragic accidents.
As Kim and her team begin to unravel a dark web of secrets, one of the teachers could hold the key to the truth. Yet just as she is about to break her silence, she is found dead.
With more children’s lives at risk, Kim has to consider the unthinkable – whether a fellow pupil could be responsible for the murders. Investigating the psychology of children that kill brings the detective into contact with her former adversary, Dr Alex Thorne – the sociopath who has made it her life’s work to destroy Kim.
Desperate to catch the killer, Kim finds a link between the recent murders and an initiation prank that happened at the school decades earlier. But saving these innocent lives comes at a cost – and one of Kim’s own might pay the ultimate price.
Almost always, no matter the genre, by this point in a series an author has lost me for one reason or another. This one? She isn’t even close to losing me yet. I have literally JUST put this one down and I can’t wait to gorge myself on the next one.
I have always loved how this author tackles the different issues she brings up in the books in this series and this one is no different. There is an awesome balance of looking at those issues without falling into preaching or judging from either side. In this case, the focus being on the privilege of the moneyed and elite.
Kim’s character is still riding the edge of being a broken human with mountains of baggage, but still being compassionate and dragging herself forward one step at a time. This book continues to keep every character interaction solid and realistic within the team. Though I will say, without spoiling much, that I really wasn’t ready for how this ended. I was deeply shocked, but again, the author handled the whole situation in an awesomely realistic way.
As awesome as this book was, it is keeping this series solidly on my “buy on release day” list.
A long-buried secret changes everything two sisters thought they knew about each other.
Franci and Lottie may be identical twins, but that’s where the similarities end. Franci has always been the stable one, while Lottie has bipolar disorder, constantly battling depression and mania. After years of taking care of her sister, Franci moves across the country to build a life for herself. Now, all the two share is distance.
But when Lottie gets in an accident, Franci reluctantly steps back into her familiar role as protector. She returns to find her sister’s life in complete disarray and makes a shocking discovery: Lottie has an infant daughter she never told Franci about. Although Franci swore she wouldn’t get sucked back in, she can’t leave the baby alone in Lottie’s care.
As Lottie further unravels, a secret is revealed that she has kept since childhood—one that has the power to reframe the sisters’ entire relationship, forcing Franci to ask herself if the secret was too much for Lottie to bear. Was the accident really an accident, and who has been protecting whom all these years?
I wasn’t a huge fan of this one. For one, it was so tediously slow to get through. I was doing pretty good and enjoying what I was reading for a while when I started wondering where we’d hit that secret reveal moment promised in the blurb. I look down and I’m only at 35% or so when I expected to be so much farther into the book. From there, everything just really started to drag.
Nearly the entire book is done in memories of each character. I don’t mind that so much, but that is part of why this felt so slow. You are waiting and waiting for the promised build up that takes forever to get to and are constantly dropped into yet another memory with nothing ever really coming out of those other than background. When you do finally get to it, way farther into the story than I expected, it wasn’t anything I hadn’t already expected and when it is all said and done, it doesn’t actually change a thing. Not really.
I had a hard time connecting or getting invested in either of the main characters as I felt that they were both petty and spiteful to each other which made them not very likable. Sure, there are some potential reasons, but those reasons didn’t change their likability.
All the wait and plowing through to get to the end and, again, it wasn’t anything that I didn’t already think was going to happen and I kind of felt like I was left with a “That’s it?” kind of a feeling which is pretty irritating as a reader.
Author: Seth King Book Name: Daddy Issues Series: * Order: * Genre: Romance/LGBTQ Rating: Didn’t Like
Their bond is forbidden. Their relationship could upend lives. But their love? It’s a force of nature…
Ten years ago, a desperate and confused Robert Glazer briefly married a woman before confronting his sexuality and starting his life as an out gay man. They divorced and lost contact – until now.
Today, a sudden family death throws Robert and his ex-wife back together for the first time. That’s where Robert meets her son Eliot, who was raised with his own father and is now a gorgeous – and openly gay – adult. And to Robert and Eliot’s surprise, sparks fly.
Passion ignites, then threatens to explode. Soon Eliot knows three things. One: Robert is not his father figure, and never was – in fact, he barely remembers him. Two: news of their union would still rock his whole world. And three: he craves Robert more than anything he has ever wanted. And as suspicions arise, their attraction only grows…
This was kind of a train wreck. I came so close at least a half dozen times to putting this down and walking away, but kept at it wanting to see why it was so highly rated (Amazon).
There were so many things about this one that just drove me up the wall. A big one, which confuses the hell out of me because apparently the author is gay himself, is the way he drops almost every negative gay stereotype into this story in such a way that he turns being gay into an ugly caricature. Then, he turns around and seems to get on his soap box about how bad life can be for gay men and how they are treated by the world around them. It is a glaring contradiction, being this incredibly strange cross between preachy and offensive at the same time.
I had a terrible time trying to overlook some of the errors in scene specifics or contradictory plot elements. You could read something in one chapter/paragraph/line and in the next, you would read something that appeared to be the opposite of what was mentioned previously. I found myself flipping back to reread several times to to check that I didn’t miss something or read it wrong, but it was just two very different versions. One in particular dealt with a character having put clothing on then the next mention, there isn’t any and it just killed the entire scene.
I get that authors have habits or phrases that they like to use. Often, they are done well enough that they are either not noticed or are not annoying, but this one drove me up the wall because because it was used in nearly every single dialog scene in the book. “… he said soon.” or some version of that phrase. For one, this extreme level of repetition shows a lack of depth, but it also very often didn’t even work for how it was used and made the already choppy dialog even clunkier. Dialog that often left me feeling as if I’d missed huge chunks of the conversation. What makes all that even worse is that there is so little dialog in the first place. Nearly this entire book happens inside the characters heads and there is a lot of history dumping and even repetition that had me skimming through parts of this.
The scene/timing transitions also often left me confused because most of the time they didn’t flow between one and the next in a smooth way so I wasn’t sure that the scene had even shifted or how much time that had passed between one scene and the next. Toss in a sudden POV shift from the two main characters to a third character somewhere in the 60% range, only to go back to the two main characters, never getting the POV of that third again, only to then be tossed into a 4th POV a few chapters later and you get the readers version of whiplash. Don’t even get me started on the convoluted, crazy mess that was the last couple of chapters.
Neither of the main characters showed any level of believably or maturity, no matter their age. It was like watching extremely immature 16 year olds rather than adults, let alone someone that is supposedly in their 40s. The yo-yoing is off the charts and makes it all that much worse.
Even though I’ve pretty much blasted this book, there are tiny parts that are genuinely good, but they aren’t nearly enough to make up for all that isn’t.
After four tours in Afghanistan, Warren Groves couldn’t settle into civilian life. For the last twelve years, he’s survived by working odd and often illegal jobs for some of Denver’s less fortunate. His personal life is equally unsatisfactory. He can barely remember the last time he had sex, let alone the last time he got to use somebody hard and rough, the way he likes. Fate intervenes when a favor for a friend leads him to a pretty young rentboy named Taylor Reynolds.
Taylor’s spent the last few years on his own, working as a hustler, going home with anybody who’ll give him a warm meal and a place to sleep. He enjoys having a bit of force used against him, and he makes Warren an offer he can’t refuse — all the sex he wants, as rough and dirty as he likes, in exchange for room and board.
At first, Warren thinks he’s struck gold. Taylor’s the perfect roommate — he cooks, he cleans, and he’s dynamite in the sack. But Taylor has some dark demons in his head and some even darker cravings. Falling for somebody as volatile as Taylor is dangerous enough, but when Taylor’s urges turn truly self-destructive, it’ll be up to Warren to decide just how far to let things go.
*Potential Minor Spoilers*
First off, no matter how I feel about this book, it is absolutely not one for everybody. It runs along a very dark side and deals with some seriously ugly subject matter that will just flat out be unappealing to some (addiction and abuse for some specifics). That said, that dark is liberally laced with spots of brightness and the better aspects of humanity shining through.
I thought this was beautifully written, no matter the subject matter. It pinged on several concepts of right and wrong that I’ve been pondering a lot lately, so some of those background themes really resonated with me. Even though I don’t usually go for dark books like this, I did really like it. Probably because of how many of those issues were presented and dealt with. There was no preaching to either direction, side, or right or wrong, simply presented as just the way it is.
The very imperfect humanness of the characters and their situations made them feel real. That kept me skirting this edge of compassion and understanding for them. It didn’t tip me into being overly emotional about them. That and the darker side that isn’t my favorite kept this from getting that slightly higher rating.
Even with the heavier nature of this, it does have a positive ending for the main characters. That is probably the other reason why this did work for me. I wouldn’t have like it even a fraction as much if this had not had that kind of ending.
Author:Faith Hunter Book Name: Dark Queen Series: Jane Yellowrock Order: #12 Genre: Fantasy Rating: Excellent/Favorite
As Enforcer to the vampire Master of the City of New Orleans, Jane Yellowrock stakes her reputation and her life on keeping her territory safe. But Leo has been issued a blood challenge by the emperor of the European vampires, who seeks to usurp all of his power and possessions. If Leo loses the match to the death, the city will be forfeit, and the people of New Orleans will suffer the consequences. Jane can’t let that happen.
Preparing for the duel requires all of Jane’s focus, but with so much supernatural power in play, nothing goes according to plan. She has to rely on herself and the very few people she knows she can trust to stand and fight. Only two things are guaranteed: nothing is sacred, and no one is safe.
There is really only so much one can say about the 12th book in the series that hasn’t already been said a thousand times before. That is also only if an author is talented enough to keep a series going strong for that long, which in and of itself is exceptionally rare in my opinion. Keeping the series going strong has not been an issue with this series. It still falls solidly into that rare category of one of my favorites, one I’m willing to read over and over again. This book is no exception.
I kind of wish I’d taken the time to reread all the books leading up to this one because this ties up a lot of threads from past books and I didn’t remember some of those threads getting pulled. I wasn’t lost because of that, but I think I would have enjoyed it more if all of that had been fresh. Not a problem though. I will probably go back and do a full read through of the entire series, including this book, even though I just finished this. That is how much I like these books.
When I finished reading this, I had to go and do some hunting to find out if this was actually the last in the series. I’ve seen mentioned that it isn’t, which is wonderful. In part because I don’t have to be mad at the author for the way this book ended. Some will argue, but there is a bit of a cliffhanger in this. If that had been it for the series, I would have been hugely disappointed, but… fingers crossed that what I’ve seen is right and we will be seeing more of Jane soon.
*Potential tiny spoiler*
Favorite line of the book has got to come from Leo and mostly because it is Leo and… who would have ever predicted those words to come from his mouth?
Author:Roz Nay Book Name: Our Little Secret Series: * Order: * Genre: Suspense/Thriller Rating: Really Good*/Didn’t Like*
Our Little Secret is a twisted tale of love, pain, and revenge that will stay with the reader long after they turn the last page.
They say you never forget your first love. What they don’t say though, is that sometimes your first love won’t forget you…
A police interview room is the last place Angela expected to find herself today. It’s been hours, and they keep asking her the same inane questions over and over. “How do you know the victim?” “What’s your relationship with Mr. Parker?” Her ex’s wife has gone missing, and anyone who was close to the couple is a suspect. Angela is tired of the bottomless questions and tired of the cold room that stays the same while a rotating litany of interrogators changes shifts around her. But when criminologist Novak takes over, she can tell he’s not like the others. He’s ready to listen, and she knows he’ll understand. When she tells him that her story begins a decade before, long before Saskia was in the picture, he gives her the floor.
A twenty-something young professional, Angela claims to have no involvement. How could she? It’s been years since she and H.P., Mr. Parker that is, were together. As her story unfolds, it deepens and darkens. There’s a lot to unpack… betrayal, jealousy, and a group of people who all have motives for retribution. If Angela is telling the truth, then who’s lying?
Yes, I have two different star ratings on this. It was nearly impossible to rate this because I have two very different opinions on it.
This was truly very well written and well developed. The problem? I didn’t like it. Not because of poor quality or that it tripped any of my pet peeves, but because by the time I finished the book, I felt as though it had left a stain on me.
There is not a single likable character in the book. Again, not because they were poorly written, but because they all touch on some of the ugliest aspects of humanity , the ones that are subtle and insidious. At one point or another in the book, each character just felt as though they were coated in slime. Not necessarily evil, but ugly.
The story is interesting and intriguing, but along the lines of watching a train wreck. There is just not a single, genuinely positive thing that happens in the entire book. The tiny bits that seem to be good/happy/positive as you read them become tainted as the story moves along. Combine that with the truly unlikable, nearly vile characters, and no, I really didn’t like this, though I won’t completely ding the rating because of my personal tastes as this author is talented.
For those that enjoy that kind of a story, you will probably love this book. It just really wasn’t for me.
Author: Londra Laine Book Name: Forever With You Series: * Order: * Genre: Romance/LGBT Rating: Okay/Didn’t Like
Kelly Brooks Montes is only nineteen years old and just starting college in New York City when tragedy strikes, and he becomes a single dad to his toddler brother. Four years later, Kelly and his baby brother, Jaylen, are doing well, though Kelly leads a double life to make ends meet. He’s a high-level administrative assistant by day and a racy go-go boy by night. Between raising his brother, dancing, and trying not to run afoul of his new boss, Kelly doesn’t have time for a boyfriend. Even if he did want a man in his life, a past trauma makes him question whether he can ever trust a man with his body or his heart. But then Kelly receives an unexpected but steamy birthday kiss from his boss, a man he was sure hated him, and he begins to wish for things he knows he shouldn’t.
Andrew Whitman knew from the moment he held Kelly’s hand that the man was special, and it both annoyed and terrified him. Kelly makes him feel a little out of control and Drew is a highly controlled man. He has to be to keep his sexuality a secret from his father, a conservative politician. And he is OK with that. He has a perfectly good, mutually beneficial, life plan with his best friend, Lex. A long time ago, he’d made his peace with the fact that he’d never find a man worth turning his life upside down for. Then he ends up with his capable and gorgeous assistant under him on top of his desk, and his life plans change. Drew can’t seem to get out of his own way when it comes to the quiet, sexy, and surprising single dad, but he can’t stop himself from falling for Kelly and his sweet baby brother. And just when it seems that Kelly has worked through his past hurts enough to let Drew into his body and his heart, manipulative family and words unspoken threaten to tear them apart. But after getting a taste of a life he never thought he could have, Drew won’t let anything tear his fledgling family apart.
***Please be aware that this book contains a flashback of and several references to sexual assault that may be triggering to some readers.***
Andrew, aka Drew, killed this book for me. He is an absolute a**. He started out that way so much so, that I nearly didn’t finish the book. Towards the middle, it became better and I thought he might, just might, redeem himself. Then it all went down in flames towards the end with his ridiculous excuse for his deception. There was absolutely no realistic or believable reason for that deception. It was childish and inane. When you look at that on a balance with what Kelly trusted him with, it makes Drew an absolute selfish douche, putting him on par with Kelly’s past abuser.
The only reason I could give this two stars instead of one is because Kelly was a pretty decent character and I liked Jayden, but they weren’t enough to overcome how awful Drew was.
I am kind of kicking my own butt over how long it took me to actually pick this series up and read it. I’ll say straight up that my reasons for not doing so look pretty stupid at this point, but they seemed valid at the time.
Author:Anne Bishop Book Name: Lake Silence Series: The World of the Others Order: #1 Genre: Fantasy Rating: Excellent/Favorite
Blurb: Human laws do not apply in the territory controlled by the Others–vampires, shape-shifters, and even deadlier paranormal beings. And this is a fact that humans should never, ever forget….
After her divorce, Vicki DeVine took over a rustic resort near Lake Silence, in a human town that is not human controlled. Towns such as Vicki’s don’t have any distance from the Others, the dominant predators who rule most of the land and all of the water throughout the world. And when a place has no boundaries, you never really know what is out there watching you.
Vicki was hoping to find a new career and a new life. But when her lodger, Aggie Crowe–one of the shape-shifting Others–discovers a murdered man, Vicki finds trouble instead. The detectives want to pin the death on her, despite the evidence that nothing human could have killed the victim. As Vicki and her friends search for answers, ancient forces are roused by the disturbance in their domain. They have rules that must not be broken–and all the destructive powers of nature at their command.
The last several days I’ve spent re-reading The Others series in preparation for the new release. I’ve been sitting on pins and needles since the newest book was announced. As usual, I dropped this in my wish list as soon as it was available to do so and have been anxiously awaiting the release date.
Note to self: Just because a book is from one of your favorite authors and appears to be in their current series and you have loved every single book ever written by said author does not mean that you shouldn’t still read the blurb. Silly me didn’t actually notice that this was a “World of…” book and not actually the next installment. Oh, I noticed pretty much on the first page and figured it out, but I had to try really hard not to be disappointed. I should have really known since the cover art for this one was so different from all the other books in The Others series, but I just thought it was decided to go a different direction. Again, silly me for making assumptions.
I did struggle not to be a little disappointed because the problem was mine, but I had spent months looking forward to another Meg, Simon, Sam, Vlad and all the rest of the courtyard’s residents book. This book didn’t have them at all, even as side characters. There are teeny tiny bits where a name is mentioned in passing, but you never see any of those characters in this book. It is a whole new location, new characters and even a few new types of Others that we haven’t seen before.
The other thing that I think was hard for me is that because I love all of those original characters so much, it is exceptionally hard to measure up to them and I just don’t think that anything can ever compare. I enjoyed getting to meet these new characters and learn about a new place. I love this world and will take anything I can get from it, but the original series will probably always be my favorite. This one is still stunningly amazing, but sits just below the level of amazing that the original series holds.
I hope like crazy that this doesn’t mean that Ms. Bishop is done with that original one because I am so not ready to say goodbye to all of those characters. Then again, that is kind of classic for just about anything that Anne Bishop has ever written and why I can continue to read those books over and over again and never begin to get sick of them.