Author: Seth King
Book Name: Daddy Issues
Rating: Didn’t Like
Their bond is forbidden. Their relationship could upend lives. But their love? It’s a force of nature…
Ten years ago, a desperate and confused Robert Glazer briefly married a woman before confronting his sexuality and starting his life as an out gay man. They divorced and lost contact – until now.
Today, a sudden family death throws Robert and his ex-wife back together for the first time. That’s where Robert meets her son Eliot, who was raised with his own father and is now a gorgeous – and openly gay – adult. And to Robert and Eliot’s surprise, sparks fly.
Passion ignites, then threatens to explode. Soon Eliot knows three things. One: Robert is not his father figure, and never was – in fact, he barely remembers him. Two: news of their union would still rock his whole world. And three: he craves Robert more than anything he has ever wanted. And as suspicions arise, their attraction only grows…
This was kind of a train wreck. I came so close at least a half dozen times to putting this down and walking away, but kept at it wanting to see why it was so highly rated (Amazon).
There were so many things about this one that just drove me up the wall. A big one, which confuses the hell out of me because apparently the author is gay himself, is the way he drops almost every negative gay stereotype into this story in such a way that he turns being gay into an ugly caricature. Then, he turns around and seems to get on his soap box about how bad life can be for gay men and how they are treated by the world around them. It is a glaring contradiction, being this incredibly strange cross between preachy and offensive at the same time.
I had a terrible time trying to overlook some of the errors in scene specifics or contradictory plot elements. You could read something in one chapter/paragraph/line and in the next, you would read something that appeared to be the opposite of what was mentioned previously. I found myself flipping back to reread several times to to check that I didn’t miss something or read it wrong, but it was just two very different versions. One in particular dealt with a character having put clothing on then the next mention, there isn’t any and it just killed the entire scene.
I get that authors have habits or phrases that they like to use. Often, they are done well enough that they are either not noticed or are not annoying, but this one drove me up the wall because because it was used in nearly every single dialog scene in the book. “… he said soon.” or some version of that phrase. For one, this extreme level of repetition shows a lack of depth, but it also very often didn’t even work for how it was used and made the already choppy dialog even clunkier. Dialog that often left me feeling as if I’d missed huge chunks of the conversation. What makes all that even worse is that there is so little dialog in the first place. Nearly this entire book happens inside the characters heads and there is a lot of history dumping and even repetition that had me skimming through parts of this.
The scene/timing transitions also often left me confused because most of the time they didn’t flow between one and the next in a smooth way so I wasn’t sure that the scene had even shifted or how much time that had passed between one scene and the next. Toss in a sudden POV shift from the two main characters to a third character somewhere in the 60% range, only to go back to the two main characters, never getting the POV of that third again, only to then be tossed into a 4th POV a few chapters later and you get the readers version of whiplash. Don’t even get me started on the convoluted, crazy mess that was the last couple of chapters.
Neither of the main characters showed any level of believably or maturity, no matter their age. It was like watching extremely immature 16 year olds rather than adults, let alone someone that is supposedly in their 40s. The yo-yoing is off the charts and makes it all that much worse.
Even though I’ve pretty much blasted this book, there are tiny parts that are genuinely good, but they aren’t nearly enough to make up for all that isn’t.