Recital week is always hectic. Last year and this year, a little more chaotic than usual because of adjustments made due to covid. Pictures were only allowed for individuals and only by appointment. No group photos were taken because of occupancy limits in the studio.
That also meant that their usual set up of a small dressing room for dancers in the studio was not allowed, making me get creative about how BG changed between her costumes. I hung a few sheets around the back end of my car to give her privacy, but it didn’t make it easy. Trying to swap out of a costume in a cramped back car seat is not an easy task, even more so when trying to keep things like hair and make up neat, but it was definitely hilarious to hear BG struggle through it with her grunts and commentary and complaints and her own hysterical laughter at how ridiculous it was.
The studio is continuing their extended 5 show dress rehearsal and 5 show recital again this year. So, again, BG will be dancing a ridiculous amount of numbers. They did break up dress rehearsal across 2 nights this year instead of one, but recital is still in one day. That means she will be doing 38 dances over the course of 3 days. 19 of those in a single day over about 12 or 13 hours.
Those dances cover tap, jazz, ballet, pointe, and hip hop. Some are just repeats of the same routine in the different shows, but that is still 9 different routines that she has to memorize. That is a lot of choreography to retain. That doesn’t even touch on the pieces of the dances that she has worked on with the little kids she assists throughout the week.
That number also includes one performance where BG gets a tiny, but noticeable spotlight, something this studio almost never does and the few times they do, it is ALWAYS a senior. There will be a brief point where she will be standing front and center, by herself, while every other dancer on stage has dropped to the ground. It only lasts a few counts and she only has a few steps that she is doing alone, but it so unusual and a point where everyone will absolutely be looking at her, that is is kind of stressful. Probably way more for me than for her, though. She’s just fine. I’m going to be the nervous one.
The studio is also live streaming this year so family and friends that wouldn’t normally get to see this amazing event will get that chance, so there is some added pressure knowing that there may be a whole lot more people watching than previous years.
I look at all of this and am, yet again, amazed. A huge part of that is BG’s ability to pull all of that off and do it well in the process. I’m also a little in awe at the fact that she gets to do this and has this phenomenal experience with this studio. I’ve always thought that what they do is pretty unique, but when you see all the pieces as they start to come together: the routines, the costumes, the backdrops, the programs, all the pieces you’d expect to see in a professional stage performance, it really drives home how lucky all these kids are to get this experience.
There will be another day or two of calm before the storm that is recital. Even that calm is deceptive because part of that time is going to be spent packing up and organizing all those costumes, shoes, accessories, and “might need just in case” things always get packed.
It also includes an emergency shopping trip this morning to get a desperately needed adjustment for one of those costumes that we didn’t realize we needed until she went for pictures yesterday (and not the first year I’ve had to do a last minute run like that).
Come late Saturday night, my car will be covered in glitter, I will be sad and relieved that another year of dance is done, and BG will be utterly exhausted but still bouncing around on an adrenaline high and unable to sit still and won’t go to bed until hours after we get home.
I will also be doing my damnedest to avoid thinking about the fact that this year is the next to last one ever. I will try not to cry when I see the seniors tear up and start hugging on each other at the end of their final performance of the night, knowing that next year I’m going to be a basket case when that is BG.
I will also be constantly reminding myself that it’s okay to put the camera down every once in a while. I don’t need every single step recorded. It’s okay to miss a shot in exchange for watching the whole stage (though I adore watching BG’s face through the camera lens as she dances).
There are always performances that I look forward to the most, but this year it seems like it is every single one. Unlike last year that had all kind of snags and costumes that failed to arrive on time, everything fell into place beautifully this year. The costumes are stunning (that doesn’t always happen) and the dances are even better.
It is all going to be amazing and worth all the stress and chaos and exhaustion. It always is.